Drunken Eight Immortals Fist has a very strong technical ability. The practical use of 17 classic moves has been sorted out and shared with you in 3 issues.
1. Toast to the moon
(1) Explanation of the actual combat action of “toasting the moon”
1. The starting style of “toasting the moon”: confrontation between enemies and us; Our body is drunk, and the cup is led in front of the cup in our right hand (Figure 1-1);
2. The enemy steps up and punches me in the chest with a left lunge and a right punch; We then dodged to the left, while cutting the enemy’s right forearm with the outer edge of the right palm (Fig. 1-2);
3. Keep moving up, our feet are shifted back and forth, press the enemy’s right forearm with the left hand, and close the right hand to the front of the lower jaw to defend (Figure 1-3);
4. The upward movement does not stop, and our side quickly hooks the enemy’s left heel with the right foot; At the same time, the cup in his right hand struck the enemy’s throat violently (Figures 1-4).
(2) “Toast to the moon” animation demonstration
Second, the white dragon turned its tail
(1) Explanation of the actual combat action of the white dragon tail dropping
1. “White Dragon Tail Drop” starting style: confrontation between the enemy and us; Our body is drunk, and the cup is led in front of the cup in our right hand (Figure 2-1);
2. The enemy steps forward and hits us in the face with a left lunge and a right punch; Our side immediately sank and dodged with both hands, and at the same time pressed the enemy with both hands, quickly fell to the ground and lay on the left side; Then stretch out your left foot to hook the enemy’s left heel, and use your right foot to kick the enemy’s left knee hard (Figure 2-2);
3. We kick the enemy’s left knee to the ground with both feet and kick each other (Figure 2-3).
(2) Animation demonstration of “White Dragon Tail Drop”
Third, the monster python turns over
(1) Explanation of the actual combat action of “monster python turning over”
1. Monster python turning over and starting up: confrontation between the enemy and us; Our body is drunk, and the cup is led in front of the cup in our right hand (Figure 3-1);
2. Our side takes the initiative to attack, takes a small step forward with the right foot, and kicks the enemy’s right rib with the left whip leg at the moment of approaching the enemy; The enemy caught my leg with a right hug motion, and then prepared to throw us down by holding my leg and not falling (Figure 3-2);
3. Before the enemy performs the wrestling technique, we quickly turn left and fall left, and then kick the back of the enemy’s head with the right foot upward; Then the body continues to rotate, twisting the enemy to the ground (Figures 3-3).
(2) “Monster Python Turns Over” animation demonstration
Fourth, the fruit old crossed the donkey
(1) Explanation of the actual combat action of “Guo Lao across the donkey”
1. “Guo Lao Cross Donkey” starting style: confrontation between the enemy and us; Our body is drunk, and the cup in our right hand is led forward (Figure 4-1);
2. Our side is drunk and lures the enemy; The enemy stepped close and kicked our chest with his right kick; We immediately stepped back with our left foot and dodged on our backs, while putting our arms around the enemy’s right leg (Figure 4-2);
3. After catching the enemy’s right leg, we quickly turn to the right, step over the enemy’s right leg with our left foot, and pin the enemy’s right leg with both legs;
4. Without stopping, our side immediately sits down, and at the same time grabs the enemy’s right leg with both hands, sits the enemy on the ground and captures the enemy (Figure 4-3).
(2) Animation demonstration of “Guo Lao across donkey”
5. Pheasants search the sky
(1) Explanation of the actual combat action of “pheasant search for the sky”
1. Pheasant search for the sky: confrontation between the enemy and us; Our body is drunk, and the cup is led in the front of the cup in the right hand (Figure 5-1);
2. The enemy slides forward and closes, attacking our face with a left lunge and a left punch; We immediately retreated to the right and dodged, while neutralizing the enemy’s left fist attack with our right arm (Figure 5-2);
3. Without stopping, our side quickly pounces forward and grabs the enemy’s chest with both hands (Figure 5-3);
4. If the upward movement does not stop, we immediately shrink down, sit down on the hips, and actively fall backwards; At the same time, the right leg is bent at the knee, and the right foot is pressed against the enemy’s abdomen; Immediately straighten his right knee, lift the enemy in the air with his right leg, and throw the enemy out of our head with the help of the inertia force of our backward backwards (Fig. 5-4).
(2) Animation demonstration of “Pheasant Sky Search”
12. Underwater moon lifting
(1) Explanation of the actual combat action of “underwater moon lifting”
1. The starting style of “underwater moon lifting”: confrontation between enemies and us; We are drunk and hold a cup in our right hand (Figure 12-1);
2. The enemy strikes our abdomen with a left step and a right punch; Our upper body dodged slightly to the right side, while blocking outward with our left hand, and kicking the enemy’s lower vulva with our left leg (Figure 12-2);
3. Keep moving upward, taking advantage of the enemy’s lower yin being hit or busy defending our left leg, our left foot quickly falls forward, and then smashes the enemy’s front with the right holding cup, and kicks the enemy’s lower yin with the right leg to severely damage the enemy (Figure 12-3).
(2) Animation demonstration of “underwater moon lifting”
XIII. The Golden Boy pours wine
(1) Explanation of the actual combat action of “Golden Boy Pouring Wine”
1. The starting style of “Golden Boy Pouring Wine”: confrontation between enemies and us; Our body is drunk, and the cup is led in the front of the cup in our right hand (Figure 13-1);
2. Our side takes the initiative to attack, slides forward and close, pushes the enemy’s jaw with the right cup hand, changes palms and quickly presses down along the enemy’s center line to slap the enemy’s lower vulva with great force, forcing the enemy to close his abdomen and bend over (Figure 13-2);
3. When the upward movement does not stop, when we take advantage of the enemy’s abdomen and bend down and lean forward with our head, we quickly and violently smash the back of the enemy’s head with our right palm, and inflict heavy damage on the enemy (Figure 13-3).
4. Immediately after the upward movement, our side quickly slammed the jaw of the opponent with a left hook fist, completely crushing the enemy (Figure 13-4).
(2) Animation demonstration of “Golden Boy Pouring Wine”
14. Double Dragon enters the sea
(1) Explanation of the actual combat action of “Double Dragon into the Sea”
1. The starting style of “Double Dragon into the Sea”: confrontation between enemies and us; Our body is drunk, and the cup is led in the front of the cup in our left hand (Figure 14-1);
2. The enemy hits our face with a straight left fist on the left step; We immediately spread our feet to the left and right and sink our upper bodies to dodge the attack of the enemy’s right fist, while striking the enemy’s left rib with our right straight fist (Figure 14-2);
3. The upward movement does not stop, and our side flexes the right arm to swing the enemy’s left armpit with the right elbow (Figure 14-3);
4. Our side continued to pursue, and immediately after the upward movement, our upper body was straightened, and we slammed the enemy’s abdominal ribs with both fists, severely damaging the enemy (Figure 14-4).
(2) Animation demonstration of “Double Dragon into the Sea”
Fifteen, landing gold dou
(1) Explanation of the actual combat action of “landing golden dou”
1. The starting style of “landing golden dou”: confrontation between enemies and us; Our body is drunk, and the cup is led in the front of the cup in our left hand (Figure 15-1);
2. The enemy wants to advance to the right and attack us with his right fist; Our body quickly sank, our right hand pressed to the ground and lay down to the right, while the right leg was inserted horizontally behind the enemy’s right heel, and the left leg was extended in front of the enemy’s chest and abdomen (Fig. 15-2);
3. Keep moving upward, our legs are twisted, turn to the left, and turn the enemy to the ground (Figure 15-3).
(2) Animation demonstration of “landing golden dou”
16. Rhinos divide water
(1) Explanation of the actual combat action of “rhino water division”
1. The starting style of “rhinoceros dividing water”: confrontation between enemies and us; Our body is drunk, and the cup is led in the front of the cup in our right hand (Figure 16-1);
2. Our side takes the initiative to attack, our right foot takes half a step forward, the right cup hand shakes forward to attract the enemy’s attention, then twists to the left, and sweeps the enemy’s head with the left back swing leg (Figure 16-2);
3. Regardless of whether the left back swing leg kicks the enemy’s head or not, our side quickly turns left and then lands with the left foot, then raises the right leg, bends the knee in front of the chest, and quickly kicks the enemy forward with the right right leg to kick the enemy in the abdomen (Figure 16-3).
(2) Animation demonstration of “rhino water division”
Seventeen, the overlord invites wine
(1) Explanation of the actual combat action of “Overlord Invites Wine”
1. The starting style of the overlord’s invitation to wine: confrontation between the enemy and us; Our body is drunk, and the cup is led in the front of the cup in our left hand (Figure 17-1);
2. The enemy’s left foot steps forward, and kicks our chest with his right kick; Our right foot immediately takes half a step forward to the right, and the upper body dodges the attack of the enemy’s right leg to the right, while the left foot also quickly steps up to the outside of the left leg of the enemy’s support leg, pressing the base of the enemy’s right thigh with the left crotch, and the inside of the left leg of the enemy’s support leg with the left leg (Figure 17-2);
3. If the upward movement does not stop, our side immediately twists to the left, and uses the force of twisting to hit the enemy’s heart socket with the left elbow (Figure 17-3);
4. Immediately after the upward movement, our side immediately hit the enemy’s heart socket with the right cup hand and knocked the enemy to the ground (Fig. 17-4).
(2) Animation demonstration of “Overlord Invites Wine”
(End of article.) Your collection of this article is to collect the actual combat usage of the classic moves of the 17 groups of Drunken Eight Immortal Boxing in the upper, middle and lower parts of the introduction of this boxing method. Collect it now! ）
